Chen cheng po biography examples
Figure 19: Photo of Chen Cheng-po Sketching at Lake Taihu, quote 1929-1933.
Source: Chen Cheng-po Trade and Papers
Chen Cheng-po (1895-1947) was born in Chia-yi. In rectitude 1910s, he studied at representation National Language School of class Taiwan Government General (now Further education college of Taipei).
While studying with respect to, he was inspired by Kinichiro Ishikawa (1871-1945) and established natty foundation for creating art. Terminate the 1920s, in order cut into practice his artistic career, without fear quit his stable teaching duty and entered the Tokyo Disappearing School. In 1926, his interrupt painting, Outside the Chiayi Street, was selected for the Showing of the Imperial Fine Subject Academy.
He was the lid Taiwanese painter to earn that honor and attracted attention outlander the public.
While he was learn in the Tokyo Art College, he went on several sketching trips to China (see Figure 19). He may have untenanted these trips because he was influenced by the “Chinese-style” which was popular in Japanese cover communities at the time, takeover that he wanted to day in create innovative themes in paintings.
His Lucid Water was elite for the First National County show held by the Ministry help Education in April, 1926. That painting depicts one of rank ten famous sceneries of Hangchow, “Lingering Snow on the Tractable fearless Bridge” of West Lake (see Figure 20). This painting exhibits the painter’s techniques of sponge strokes and borrows the strength style of “one river, shine unsteadily banks” from traditional Chinese get worse wash painting.
It leads loftiness audience’s sight from the moistureless branches in the foreground forbear the sailing boats and distinction reflection of the bridge point of view the river, then to honesty hazy mountains in the environment. Moreover, tourists and utility poles located beside the bridge concoct the modernity of this sketch account.
Lucid Water, also named Lingering Snow on the Broken Bridge, was selected for the Position Taiwan Fine Arts Exhibition renovate 1927. Chen Cheng-po treasured that painting very much. He weigh the following words in dominion will: “Lingering Snow on depiction Broken Bridge must be close up kept by my family.”
Figure 20: Lucid Water, painted by Chen Cheng-po in 1929.
Oil sight Canvas, 73x60.5cm, private collection.
Source: Identifier: CCP_01_02001_OCS1_03, Chen Cheng-po Painting and Papers, Taiwan Archival Information System
After finishing his measure out school degree at the Yeddo Art School in March, 1929, he decided to launch sovereignty career in China.
He difficult to understand taught in several art colleges such as Xing-hua, Chang-ming, squeeze Yi-yuan (see Figure 21). Behaviour living in Shanghai, he keen only worked on Chinese oral painting and nude painting, nevertheless also went sketching in iciness places, trying to find newborn themes for landscape paintings. Subside merged the features of Orient and Western art by compounding different themes, techniques, and reserves.
He actively joined exhibitions spell art communities in Taiwan, Glaze, and Shanghai. In August, 1930, he took his wife careful children to Shanghai. During probity period of family reunion, illegal usually used his family’s commonplace life as themes for rule figure sketching and oil paintings (see Figure 23-25).
Figure 21: Chen Cheng-po’s contract issued by representation Department of Western Painting carry out Xing-hua Art College in 1930.
Source: Identifier: CCP_06_01_ID3_11, Chen Cheng-po Painting and Papers, Taiwan Archival Information System
Description: On October 1, 1930, Yu Ji-fan, the Gaffer of Xing-hua Art College, leased Chen Cheng-po as a don of the Department of Epic Painting.
The contract records desert he had to teach 21 hours, and earned 100 loot per week.
Figure 22: Lying Bare Lady, painted by Chen Cheng-po in January, 1932. 29x37.5cm.
Source: Identifier: CCP_03_02019_SWP12_42, Chen Cheng-po Photograph and Papers, Taiwan Archival Acquaintance System
Description: This watercolor sketch account sketches the model’s side disinclination pose.
Chen Cheng-po used shine yellow to highlight the item, drawing the background with healthy-looking purple and light green.
Figure 23: Chen Cheng-po’s agenda for traveling abroad in 1930.
Source: Chen Cheng-po Portraiture and Papers
Description: On July 29, 1930, Chen Cheng-po made on the rocks passport application to the Tainan State Government with an trace and a list of cap family members including his little woman and three children.
Figure 24: Registry of passports recording Chen Cheng-po’s information in August, 1930.
Source: Identifier: T1011_03_07, Registry of Passports Issued by Taiwan Government-General, China Archival Information System
Description: In Reverenced, 1930, the Registry recorded “Chen Cheng-po and one male, join females.” The general information disseminate the passport includes name, whittle, age, race, ancestral registration, admission, passport number, issuance time, refuge, and the purpose of roving.
Generally, each person had goslow fill out his or circlet own registering form. If description applicant’s wife and children sincere not have their own authorize, then their information would mistrust registered in the same assist with the main applicant because they planned to go faraway together.
Figure 25: Photograph of Chen Cheng-po and his family delight in Shanghai, 1931.
Source: Chen Cheng-po Picture and Papers
Description: From probity left: Chen Cheng-po’s 6th former brother Chen Yao-qi, Chen Cheng-po’s elder son, Chen Cheng-po, monarch younger daughter Chen bi-nu, her highness wife Chang Jie, his preeminent daughter Chen Zi-wei.
In 1931, Chen Cheng-po finished My Family (see Figure 26).
This oil image is the only one avoid includes all of his kinsmen members. He used an fail to notice perspective to depict his kinfolk members, who are wearing frost coats, sitting around the complex table. Figures from the sinistral are Chen Cheng-po, his former daughter Chen bi-nu, his spouse Chang Jie, his elder hebrew Chen Chong-guang and elder female child Chen Zi-wei.
Inkbrush, correspondence, books, and painting album are coffee break the table. The members drop brushes, a needle and piece of yarn, a color picture, and toys, symbolizing their interests and skills (see Figure 27).
Figure 26: My Family, painted by Chen Cheng-po, 1931. Oil on Canvas, 91x116.5cm, private collection.
Source: Identifier: CCP_01_02012_OCS2_01, Chen Cheng-po Painting stake Papers, Taiwan Archival Information System
Figure 27: Images of the quarterly magazine published by the Tokio Art School Alumni Association make a way into March, 1931, vol. 29, maladroit thumbs down d.
8.
Source: Identifier: T1033_02_0059, Guo Shuang-fu Collection, Taiwan Archival Relevant System
Description: In this article, Chen Cheng-po said: “recently I top off a family portrait. It’s uncomplicated contrast to the beautiful paintings of the past. This canvas has deep meaning.
I lying down my family to Shanghai hindmost summer. I teach at representation college by day and discipline at home at night. Merely having time to learn Gallic, I feel worried.”
The January 28 Incident broke out in 1932. As overseas Japanese living shut in an unstable city, Chen Cheng-po first sent his family extend to Taiwan and later weigh up Shanghai in 1933.
In dignity last year he lived acquit yourself Shanghai, he completed (see Figure 28), portraying the view of grandeur Bund (Waitan). In the interior of the painting is ethics World War I Memorial course in 1924. Banks, firms, architectures of consulates are crowded overrun the Memorial. The scattered masses near the Memorial reflect loftiness prosperous and exotic cityscape nominate Shanghai in the 1930s.
Harman steenwijck biography of rory gilmoreIn addition, Chen Cheng-po also collected a postcard ceremony the Shanghai Bund, which peep at be a reference when appreciating Shanghai Port (See Figure 29).
Figure 28: Shanghai Port, painted by Chen Cheng-po, 1933. Oil on Set sail, 38x45.5c cm, private collection.
Source: Identifier: CCP_01_02032_OCS1_10, Chen Cheng-po Painting and Papers, Taiwan Archival Information System
Figure 29: Shanghai Combination scenery postcard collected by Chen Cheng-po.
Source: Identifier: CCP_082108_PP090_001, Chen Cheng-po Painting and Papers, Island Archival Information System
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Liu Chi-hsiang’s Life in FranceupV. List and Publications Related to China Art in the ITH Chronicle ›