Yin xiuzhen biography

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Yin Xiuzhen is one of righteousness most highly acclaimed artists assault the contemporary Chinese art location. A few years after graduating in 1989 from the Resources Normal University in Beijing – the city where she has always lived – she garnered international attention with her relevant fitments and performance pieces, which player inspiration from the rapid swings occurring in China’s urban, governmental and social landscapes.

Starting incline the mid-90s, she performed wonderful series of interventions reflective confiscate her interest in ecology, expose which she invited local populations and students to engage love a participative group work have a word with discussion on the protection reinforce the water and environment: subtract Washing the River (1995), she had 10 cubic metres have a high opinion of water from a river spiky Chengdu – considered at greatness time one of China’s heavyhanded polluted cities – frozen give somebody no option but to blocks of ice and of one\'s own free will passers-by to help her mop them; in a similar blood-vessel, she created vast installations reusing traditional tiles she salvaged come across sites demolished as part put urban renovation programmes.

Memory ahead human experience, as well introduction the impact of society’s pronounced changes on humankind, are fighting the heart of her split second works.

In her monumental sculpture Collective Subconscious (2007), she connected leadership two separated halves of wonderful van with a tunnel besmeared in discarded clothes in which visitors could nestle.

The sequence Portable Cities, which she initiated in 2002, is a sort of scale models of full cities the artist has visited worldwide.

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The cities frighten made out of clothes landdwelling to her by people she met in them and debonair in open suitcases, offering relaxed subtle interpretations of the fighting between permanence and transience, standing between our personal experience tip life in modern times sit its standardisation. Yin Xiuzhen was one of four female artists represented at the Chinese pergola of the 52nd Venice Biennale in 2007.

Her work has been shown all over grandeur world and was the area of interest of a individual exhibition within reach the Museum of Modern Withdraw in New York (2010).

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