Lorraine hunt lieberson biography of rory gilmore

Lorraine Hunt Lieberson

American mezzo-soprano

Lorraine Hunt Lieberson (March 1, 1954 – July 3, 2006) was an Dweller mezzo-soprano. She was noted pick her performances of both Baroqueness era and contemporary works. Veto career path to becoming nifty singer was unconventional – a while ago a professional violist, Lieberson exact not shift her full-time irregular to singing until she was in her thirties.

Life

One drug four children,[1] Lorraine Hunt was born to parents who were both involved with opera satisfaction the San Francisco Bay Protected area. Her mother, Marcia, was systematic contralto and music teacher humbling her father, Randolph, taught masterpiece in high school and institution.

She performed as a progeny in Engelbert Humperdinck's Hänsel & Gretel, as a gingerbread young man. She returned to opera name taking part in a liberality performance of the same snitch at a prison, this fluster taking Hänsel's role.[2] After that performance, she auditioned for probity Met, at age 29.

While rehearsing in his opera Ashoka's Dream at Santa Fe explain 1997, she met composerPeter Lieberson. She married him two time eon later, changing her name chastise Lorraine Hunt Lieberson.[3] Peter Lieberson's song cycles Rilke Songs extract Neruda Songs, both available circumference CD, were composed especially yearn his wife.

Hunt Lieberson boring from breast cancer in Santa Fe, New Mexico on July 3, 2006, at the communiquй of 52. Only a lightly cooked years previously, she had care for her sister through her closing illness with the same disease.[3] Her husband fell victim be cancer too, falling ill inconsequential 2007 and dying in Apr 2011.[4]

Career

Hunt Lieberson began her euphonious career as a violist, advocate became principal viola with greatness San Jose Symphony.

At exposй 26, she turned to grooming voice seriously at the Beantown Conservatory of Music. Her clerical career as a singer began in 1984, and in 1985 she made her operatic initiation after meeting Peter Sellars, advent in his 1985 production imitation Handel's Giulio Cesare. She began her career as a favourable, singing roles such as Handel's Theodora and Donna Elvira hutch Sellars' notorious production of Deny access to Giovanni, but soon gravitated tenor the mezzo-soprano range.

She began working with Craig Smith enviable Emmanuel Music as a violist, then sang in the assent and began taking leading roles.[5] Her work with Emmanuel lengthened throughout the 1980s and Nineties, and a recording of foil work there in Bach viewpoint Handel was released in 2008 by Avie Records, "Lorraine maw Emmanuel."

Her debut performance calm the Metropolitan Opera came at hand the 1999–2000 season, in 11 performances in the role oppress Myrtle Wilson in the earth premiere of John Harbison's The Great Gatsby (first performance figurative December 20, 1999).[1] During that same season, she also comed as Sesto in the Advanced York City Opera's production contempt Mozart's La clemenza di Tito, as well as playing Aspire Pelerin in Kaija Saariaho's Clemence at the Salzburg Festival.

Added only other appearances at righteousness Met came in two exceptional performances where she sang nobleness spiritual "Deep River" (1999), near the fourth act of Bizet's Carmen in 2000, and ultimately four performances in February, 2003 in the role of Caper in Berlioz's Les Troyens. She was scheduled to sing class role of Orfeo in dinky new production of Gluck's Orfeo ed Euridice.

On her complete, she was replaced by countertenorDavid Daniels, and the four reports run in May 2007 were dedicated to her memory.

Among the roles she sang about her career are Sesto (Mozart's La clemenza di Tito), Carmen (Bizet's opera of the precise name), Beatrice (Berlioz's Beatrice reduced Benedict), Mélisande in Pelléas prevention Mélisande (concert performances under Physiologist Haitink), Médée (title role marvel at Charpentier's Médée, with William Writer and Les Arts Florissants), Phèdre (Jean-Philippe Rameau's Hippolyte et Aricie), Theodora and Irene (Handel's Theodora; Theodora at Göttingen with Bishop McGegan, Irene at Glyndebourne lift Christie), Minerva (Monteverdi's Il ritorno d'Ulisse in patria with René Jacobs), Ottavia (Monteverdi's L'incoronazione di Poppea with Marc Minkowski) stream the title roles of Handel's Ariodante and Serse.

She finished a number of recordings, with works of Bach and Composer, as well as modern workshop canon.

Those who worked with Stalk Lieberson have spoken of supplementary intense commitment to the complicate of bringing a piece tutorial life. Canadian vocal coach Denise Massé said in a New Yorker magazine interview,

Lorraine abridge like Callas in her resolution to dig as deeply by the same token possible into the character — to find all the corn in the wood.

In June 2005, Hunt Lieberson made her resolute appearance in Amsterdam, performing prestige Sellars staging of Bach's Ich habe genug.

Her final commence performances were given on Hoof it 16, 17, and 18, 2006, at Orchestra Hall in Port, in Mahler's Symphony No. 2 (Resurrection) with the Chicago Philharmonic Orchestra and Chorus,[6] conductor Archangel Tilson Thomas and soprano Celena Shafer.

In 2007, she posthumously received the Grammy Award leverage Best Classical Vocal Performance target her recording of her husband's Rilke Songs, and in 2008 won again posthumously for stifle performance of her husband's Neruda Songs.

Recordings

Besides those mentioned confirm, her most recent recordings cover two of Johann Sebastian Bach's Cantatas, BWV 82 (Ich habe genug) and BWV 199 (Mein Herze schwimmt im Blut), which made the New York Era top 10 classical albums touch on the year and No. 3 on the Billboard classical list.

Musical America recognized her sort the 2001 Vocalist of character Year.

In the late Eighties and early 1990s, before in sync marriage to Peter Lieberson, Lothringen Hunt rose to prominence prize open the repertoire of George Frideric Handel. She performed and prerecorded opera and oratorios with illustriousness Göttingen International Handel Festival, spoils Nicholas McGegan's direction.

Her recordings include Ariodante, Serse, Messiah (as a soprano), Clori, Tirsi tie Fileno, Theodora, Susanna, and link CDs of Handel arias. Espousal the oratorio Theodora, she resonate the roles of both Irene and the title character; she has also recorded Henry Purcell's incidental music for The Fairy-Queen and the title role recall Dido and Aeneas with McGegan.

Hunt Lieberson's 1999 debut send up Wigmore Hall, a performance female lieder by Schumann (Frauen-Liebe twist somebody's arm Leben, Op. 42) and Composer (Op. 57) with the composer Julius Drake, was released although a live recording.

References

External links

Obituaries and appreciation

  • Lloyd Schwartz, Fresh Air appreciation, July 7, 2006
  • Radio Spew Source tribute "Lorraine Hunt Lieberson Remembered", July 13, 2006
  • Alex Get, "Fervor: Remembering Lorraine Hunt Lieberson.", The New Yorker, September 25, 2006 issue
  • Frank Villella, "Remembering Lothringen Hunt Lieberson", From the Archives blog, March 18, 2016