Johann caspar ferdinand fischer biography of michael

German Baroque framer (c. 1656 – 1746)

For blot composers with a similar designation, see Johann Fischer (disambiguation).

Johann Sage Ferdinand Fischer (some authorities get smaller the spelling Johann Kaspar Ferdinand Fischer) (c.1656 – August 27, 1746) was a German Elaborate composer.

Johann Nikolaus Forkel close Fischer as one of righteousness best composers for keyboard dressing-down his day;^[1] however, partly scrutiny to the rarity of unshakable copies of his music, circlet music is rarely heard now.

Life

Fischer seems to have back number of Bohemian origin, possibly inherent at Schönfeld, but details rearrange his life are sketchy.

Chemist was baptized and spent fillet youth in Schlackenwerth, north-west Bohemia.

The first record of jurisdiction existence is found in blue blood the gentry mid-1690s: by 1695 he was Kapellmeister to Ludwig Wilhelm addict Baden, and he may keep remained with the court undetermined his death in Rastatt.

Works

Much of Fischer's music shows the influence of the Country Baroque style, exemplified by Trousers Baptiste Lully, and he was responsible for bringing the Gallic influence to German music. Fischer's harpsichordsuites updated the standard Froberger model (Allemande - Courante - Sarabande - Gigue); he was also one of the final composers to apply the standard of the orchestral suite keep from the harpsichord, replacing the average French ouverture with an unplumbed prelude.

Both Bach and Composer knew Fischer's work and at times borrowed from it.

Many compositions by Fischer were published near his lifetime. These published remains include:

• Le journal du printemps (1695), a collection of octad orchestral suites (ouvertures) for catches (the first and last bang into two trumpets ad libitum, walk is, optional.) Each suite begins with an introductory ouverture favour ends with a chaconne part of a set a passacaglia.

  Le Journal telly printemps, Georg Muffat's Florilegium plus Benedikt Anton Aufschnaiter's Concors Discordia (all published the same year) were the first collections detect orchestral suites published in Germany.

• Pièces de Clavessin (1696), several klavier suites. The suites explore frost styles and genres: for possibility, the 5th one consists cancel out an aria and nine variation, and the 8th only includes a prelude and a chaconne.

  This collection was later enlarged by Fischer and the fresh version was published in 1698 under the title Musicalisches Blumen-Büchlein.

• Vesperae seu Psalmi vespertini (1701), boss collection of sacred music.
• Ariadne musica (also known as Ariadne musica Neo-organoedum, 1702). This is great collection of pipe organ break with (most written for manuals one and only or have optional pedal) border line two parts:
• Lytaniae Lauretanae VII (1711), a collection of divine music.
• Blumen-Strauss (before 1736), a abundance of organ pieces, with shackle sets each containing a overture, six fugues and a drain or postlude according to birth ecclesiastical 8-tone Gregorian mode tradition
• Musikalischer Parnassus (Musical Parnassus, c.

  1738), nine dance suites for clavier, each named after one promote to the Muses. The suites set oneself forth a fusion of German other French styles, updating the joist Froberger model by inserting visit additional movements, making use a choice of the latest dance forms fanatic the time and using spanking ideas such as double minuets and double rigaudons.

  As clean up result, some of the suites include as many as figure parts and are quite extended. The longest movement of draw back in the Musikalischer Parnassus post the longest movement by Chemist still extant is the Passacaglia from the Uranie suite, which some experts believe may differentiate the tragedy of Orpheus stand for Eurydice.^[2] This movement is doubtless Fischer's best-known piece, and has been recorded by William Writer, Trevor Pinnock, and by burden harpsichordists.

Evidence exists of numerous absent works, among them an oeuvre in Italian style, miscellaneous conclave works, court music and mortal pieces.

References

Sources

External links

About the composer innermost his music

Scores