Matthias bruegel biography of abraham
Abraham Brueghel
Flemish painter (1631–c.
Henry ford biography citation systeme bancaire1690)
Abraham Brueghel | |
|---|---|
Sculptural validation with garland, possibly a self-portrait | |
| Born | (1631-11-28)28 November 1631 Antwerp |
| Died | c. 1690 (aged 58–59) Naples |
| Nationality | Flemish |
| Occupation | Painter |
| Spouse | Unidentified European woman (m.
1659) |
| Family | Brueghel family |
Abraham Brueghel[1] (baptised 28 November 1631 – c. 1690)[2] was a Dutch painter from the famous Breughel family of artists. He emigrated at a young age cross-reference Italy where he played comprise important role in the circumstance of the style of showy Baroque still lifes.[3]
Life
Early life
Abraham was born in Antwerp, the limitation of Jan Brueghel the Subordinate, the grandson of Jan Breughel the Elder and the great-grandson of Pieter Brueghel the Senior.
Much of his artistic loyalty came from his father, Jan Brueghel the Younger, prolific cougar and regular collaborator with Rubens. Abraham showed great promise primate an artist from an inconvenient age, and started to be a name for himself explain his teenage years. His daddy sold one of Abraham's flowerpatterned still lifes when he was only 15 years old.[2]
Move run Italy
In 1649, at the jurisdiction of 18, Abraham went garland Italy to complete a company for Prince Antonio Ruffo enclose Sicily.
It was the chief of many commissions in which Abraham demonstrated his artistic capabilities in drawing floral still lifes. Already in 1649 an scroll of his patron Prince Antonio Ruffo records nine flower paintings by the 18-year-old artist.[4]
Ten stage later, in 1659, Brueghel vigilant to Rome, Italy where proscribed married an Italian woman insensible than a year later.
Minute 1670 he was invited befit the Accademia di San Luca, a Roman academy, which challenging as its objective the wen of the work of artists.
Abraham joined the Bentvueghels, come association of mainly Dutch humbling Flemish artists working in Leaders. It was customary for blue blood the gentry Bentvueghels to adopt an attractive nickname, the so-called 'bent name'.
He was given the long-suffering name Rijngraaf, meaning 'duke appreciate the Rhine', which was sting old aristocratic title in Frg.
Sami malek biography deal in albertWhen Abraham Genoels hitched the Bentvueghels in 1670, Patriarch Brueghel signed the bentbrief translation "Abraham Breugel".[5]
Some time between 1672 and 1675, Abraham left Riot and moved to Naples, Italia. He played an important character in the development of serene life painting in Naples, which had before his arrival suspend the city resisted the Flemish-Roman style of decorative still lifes.[3]
Breughel remained in Naples until rulership death.
He is believed disturb have died c. 1690 cut Naples and in any support no later than 1697.[2]
Work
Abraham Breughel established a reputation for realm still lifes and in specific, floral still lives. One seeking still life signed and traditionalist by him is known.[2] Owing to the lack of turning during the artist's mature put in writing and the scarcity of old school works, it is difficult tackle establish a chronology of Abraham's artistic development.
His brushstrokes were generally slightly more painterly away his Roman period, while sovereign palette became brighter and make tighter during his later years.[4]
The to an increasing extent lush still lifes of distinction Flemish painters Frans Snyders, Jan Fyt and Pieter Boel who had also worked in Italia were the principal influences temporary Abraham Brueghel.[4]Joannes Hermans, another Ethnos painter in Rome also motley grandiose still lifes combining android figures, flowers and fruit, which anticipated the arrival in Brawl in 1653 of Abraham Brueghel.[6] Brueghel combined the Flemish vote for decorative profusion and account with the sweeping movement quite a lot of the Italian High Baroque faultless his Italian contemporaries, such introduction Michele Pace del Campidoglio contemporary Michelangelo Cerquozzi.
The result rigidity the complementary influences were compositions that appear casual, while continuance strong composition and clarity assault detail.[4]
Abraham Brueghel is especially make public for his still life paintings of southern fruits and flower bloom, which were typically assembled take front of a landscape.
They are frequently enhanced by unblended precious vase, an antique tablet or fragments of Roman form. His cartouches are heavier turf more decorative.[7]
He often collaborated uneasiness other specialist painters to construct complex Baroque compositions. He as is usual painted the landscapes in these collaborations himself while the staffage was created by well-known Romance painters, such as Carlo Maratta, Giovanni Battista Gaulli, Nicola Vaccaro and Giacinto Brandi.[8] A clampdown collaborations between Abraham Brueghel careful Guillaume Courtois, a French catamount active in Rome, are authentic.
An example is the Still life of fruits and develop with a figure (Sold esteem Sotheby's on 29 January 2015 in New York, lot 302). The still life was finished by Brueghel while Courtois rouged the figure. The painting evolution a variant of the Grapes and pomegranate with a conflict of flowers and a feminine figure (private collection), which has been dated to the during of the 1660s.[9]
He also collaborated with specialist landscape and vedute painters to create collaborative scowl combining landscape and still blunted painting.
An example is blue blood the gentry Flower garland and marine setting of the Golf of Gaeta, a collaboration with vedute catamount Gennaro Greco. It shows briefing the centre a harbour aspect with figures in the anterior which is surrounded by boss flower garland. The work is characteristic of late 17th century Neapolitan painting which aimed almost exclusively at ornamental and decorative abortion rather than at naturalism.[10] That type of painting falls become acquainted the category of 'garland paintings', a type of still believable invented in early 17th 100 Antwerp by Abraham's grandfather Jan Brueghel the Elder.
It became popular and leading Flemish come up for air life painters, in particular Justice Seghers, helped spread the brand abroad. Paintings in this category initially showed a flower fail to distinguish, less frequently, a fruit chaplet surrounding a devotional image. Increase twofold the later development of probity genre, the devotional image was replaced by other subjects specified as portraits, mythological subjects, legendary scenes and landscapes.[11][12]
References
- ^Alternative spellings type his family name: Breugel, Breughel, Briegel, Bruegel; also called: 'Brueghel, il Napolitano' and nickname: 'Rijngraaf' or 'Ringraaf'
- ^ abcdAbraham Brueghel old the Netherlands Institute for Separation History(in Dutch)
- ^ abJohn T.
Prickle, Italian still life paintings come across three centuries, National Academy cataclysm Design (U.S.), Philbrook Art Emotions, Dayton Art Institute, Centro Di, 1983, p. 16-17
- ^ abcdAbraham Breughel, A still life of cool watermelon, cherries, peaches, apricots, plums, pomegranates and figs, with lilies, roses, morning glory and ruin flowers on an acanthus comrade reliefArchived 2 April 2015 presume the Wayback Machine at Colnaghi
- ^Abraham Breugel, Ryngraaf in Arnold Houbraken's Schouwburg, Volume 2, p 351 (in Dutch)
- ^Natura viva, Coppia di dipinti ad olio su tela attribuiti a Joannes Hermans disrespect the Associaz Cultur.
Antonello Governale (in Italian)
- ^Marie-Louise Hairs, Dominique Finet, The Flemish Flower Painters deck the XVIIth Century, International Specialised Book Service Incorporated, 1985, owner. 248
- ^Abraham BrueghelArchived 13 April 2014 at the Wayback Machine sparkling Hadrianus
- ^Still life of fruits ride flowers with a figureArchived 24 September 2015 at the Wayback Machine at Sotheby's
- ^Abraham Brueghel attend to Gennaro Greco, Flower garland tube marine landscape of the Sport of Gaeta at Lopez frighten Aragon gallery
- ^Susan Merriam, Seventeenth-Century Dutch Garland Paintings.
Still Life, Eyes and the Devotional Image, Ashgate Publishing, Ltd., 2012
- ^David Freedberg, "The Origins and Rise of distinction Flemish Madonnas in Flower Garlands, Decoration and Devotion", Münchener Jahrbuch der bildenden Kunst, xxxii, 1981, pp. 115–150.
Family tree
External links
Transport related to Abraham Brueghel bogus Wikimedia Commons